![cousin cousine 1975 trailer cousin cousine 1975 trailer](https://i.ytimg.com/vi/vVaPJxe0Qxs/maxresdefault.jpg)
However, Pisier did more than act in certain films - she also collaborated on scripts and directed the feature The Governor’s Ball (1990). Pisier had the lead female role in Robbe-Grillet’s stylish and typically dreamy Trans-Europ-Express (1966) and also was one of many haute bourgeoisie acting as if caught in a dream in Don Luis Bunuel’s very non-linear Phantom of Liberty. You can see the whole short, featuring the lovely young Mademoiselle Pisier, here: Truffaut did indeed do that after he cast her in his first 400 Blows sequel, the short film “Antoine et Colette,” which appeared in the feature Love At Twenty (1962). But I guess if Francois Truffaut leaves his wife and kids to have an affair with you, you become a "New Wave darling" in some respect. Her obits labeled her a “darling” of the New Wave, which isn’t exactly true - she worked for only two of the movement’s filmmakers. Thus, what I can speak about knowledgably is the period where Pisier worked for noted French directors and made some really bad American crap. Pisier, who was found dead earlier this week in her pool at the age of 66, was a gorgeous actress who worked on a continual basis in France, but the films she appeared in stopped being exported over here in the mid-’80s (with the sole exception of Raoul Ruiz’s Time Regained). It’s pretty sad that those two facts represent the sum total of her life, but then again, the IMDB is composed of fan-generated material, so what would you expect? And you can learn the size of her chest, courtesy of Celebrity Sleuth. The first is that she was born and lived in Vietnam (where her dad was the colonial governor of French Indochina). If you look Marie-France Pisier up on the IMBD, you find out only two things about her 66 years of existence.